Ellie Mae O’Hagan writes about the “anti-woke backlash”. She argues that in the 1990s and 2000s socially liberal values became the “new normal”, with even the Conservative party becoming nicer and introducing legislation such as equal marriage. It seemed unimaginable at the time, but that consensus is unravelling very quickly.

…as the tide of 90s social liberalism has ebbed, it has also revealed another group of people (primarily older, white homeowners and pensioners) who had never bought into the consensus in the first place, and are aggressively hostile to its newer, more radical iteration.

We all know a member of this demographic: alienated by the modern world and displeased by change, they are fond of complaining that “You can’t say anything any more!” – even as their opinions are widely reproduced in the nation’s print media.

And the nation’s print media are happy to pander to them, not least because they’re the demographic that still buys the nation’s print media and that advertisers most want to reach.

Having spent so long feeling silenced by the liberal consensus, people in this group have been given a new lease of life by the right’s new insurgents. Not only were they correct all along; they were actually victims, zealously persecuted by an oversensitive and censorious society. It is this righteous indignation that lends their antipathy to wokeness a defiant and almost celebratory quality. As a friend of mine puts it, we are living in “bigot Christmas”.

As O’Hagan points out, if this group’s claims of persecution were really true the country and the world would look very different. But just because something isn’t true doesn’t mean people don’t believe it.

O’Hagan’s piece isn’t an attack on those people. It’s a warning to the rest of us, because the so-called anti-woke are often “parroting arguments that are largely advanced by the far right”. And they’re winning.

Progressives need to wise up to the fact that they are losing this argument and decide what they are going to do in response. If they don’t, they may soon find that the future they always assumed was theirs is being made without them.

Writing in The Guardian, august journalism commentator Roy Greenslade writes about a crisis that never existed: the supposed immigration crisis facing the UK.

“It never was news. It was a wholly media-manufactured ‘crisis’,” he writes. Editors “readily published evidence of individual misbehaviour as if it was a universal problem”, published “dodgy figures, as if plucked from mid-air” and ignored facts “in favour of appealing to public prejudice.” They published endless streams of thinly-veiled bigotry from their columnists. They were guilty of “ignoring rational arguments that exposed their distorted agenda” to inflame their readers against a group that in reality is a persecuted minority.

And it worked, because these papers also drive the wider news agenda: what they print is then picked up by the likes of the Today Programme and discussed on Question Time. It gets circulated on social media and regurgitated on talk radio.

At the peak of the anti-immigrant newspaper scare, 60% of people thought immigration was the most important issue affecting the country. Now the papers have largely stopped their scaremongering, that figure has dropped to 20%.

As Greenslade put it, the newspapers manufactured the so-called crisis “through repetition, disinformation, misinformation… and the omission of any positive material.”

The papers stopped demonising immigrants because it no longer sold copies. That has created a vacuum – when your newspaper’s editorial policy is to scare your readers every day, you still need an enemy.

The papers haven’t stopped trying to scare their readers or abandoned their dirty tricks. They’ve just chosen a different minority to demonise.

Novelist and journalist Huw Lemmey asks why the UK media is so obsessed with demonising the “woke”.

The English media is in the middle of a full-throated culture war, from bendy bananas to woke snowflakes, Stormzy to burqas, trans rights to free speech on campus. It seems like over the past decade the intensification of that journalism, combined with the exaggerating effect of social media on editorial choice, has created a print and TV comment culture dedicated to creating a popular spook or ogre, then to ripping it apart. The English press has developed into a unique combination of bullying and blackmail, where a relentlessly vicious tone of mockery and enforced conformity is policed with the justification that either the enemy is at the school gates, or that their furious mockery is “only banter”. In the process, from sheer incuriosity, a whole generation of journalists have confused disagreement with taking offence, criticism with trolling.

…if you want to know what “woke” means, and why a “woke elite” are trying to shut down all criticism, why not read Andrew Doyle’s new book, ‘Woke’, in character as Titania McGrath, with glowing reviews from Rod Liddle, Sarah Vine and Ricky Gervais? Why not read Brendan O’Neill’s spiked editorial on Markle, “A woke Wallis Simpson”? Why not read Rod Liddle’s latest on the “wokeplace romance”? Why not check out Toby Young on how the Labour Party got woke and broke? Why not see what Sarah Vine likes so much about Ricky Gervais, “the Wokefinder General”? Why not read Helen Lewis on the superwoke elite, or listen to Helen Lewis on the News Quiz, supposedly the country’s leading news satire radio programme, where the assassination of Soleimani revolved around a joke that the Left wouldn’t have criticised the attack if the Iranian general had misgendered someone.

As Lemmey points out, the attack lines and tropes are so lazy that last week, Rod Liddle and Giles Coren wrote almost identical articles with almost identically unfunny jokes. I guess it makes a change from using pseudonymous social media accounts to post racist or antisemitic messages.

I thought this bit was interesting.

We are reaching the culture war singularity. To all intents and purposes, in terms of England, the right have won the culture war on most fronts. But now they’re left with a problem — they need an enemy. After we leave, and Francois has had his bongs, what replaces the narrative of EU tyranny that has driven English Euroscepticism?

We’re starting to see the answer to that. It’s the blacks, and the gays, and the trans, and the young, and the feminists, and anyone else who can be dismissed as “woke”. It’s no coincidence that the people spearheading this backlash are white, straight, cisgender, middle-aged and largely male; the people who applaud them on social media are from the same demographic.

The thing about being “woke” is that being woke is a good thing. It means being aware of injustice in society, particularly racism.

The Guardian:

Criticising “woke culture” has become a way of claiming victim status for yourself rather than acknowledging that more deserving others hold that status. It has gone from a virtue signal to a dog whistle.

What we’re seeing here is exactly what happened with political correctness: the perversion of a term by right-wingers in an attempt to claim that the real victims are the people who have all the power.

Comedian Stewart Lee skewered that one a decade ago.

The only time you ever see PC mentioned is when people are complaining about PC. For money. And usually on the very publicly funded radio stations that these dicks believe are involved in a politically correct conspiracy to silence them.