Writing in New Socialist, Pete Mitchell does a thoroughly entertaining demolition of two books making the culture war argument that “the left” is somehow silencing free speech. The whole thing’s worth a read but I particularly liked these bits:

In Lukianoff and Haidt’s account, college students aren’t distressed because they’re facing unprecedented debt and insecurity, because those safety nets they had are being stripped away from them, because they can no longer look forward to a recognisable future – or indeed because white supremacists keep trying to gather on their campuses to intimidate them, while their parents’ generation stands around finger-wagging about the importance of robust debate – but because they’re decadent, attached to their phones, full of self-pity, over-indulged and lacking in will.

The well-worn argument here is that millennial snowflakes refuse to be exposed to opposing views from people who disagree with them.

As anyone who’s spent any time around these debates knows by now, those “opposing views” usually turn out to be some variation of exactly the same one, and the “people who disagree with you” are always some variation of the same person: a well-paid white man who isn’t sure where all these women and brown people and queers came from but has some ideas about where he’d like to send them.

 

This week, Lily Madigan was asked to appear on a BBC radio programme to talk about trans women in sport. There’s just one problem with that. While Madigan is trans, she is not an endocrinologist or a sports scientist – so she can’t talk knowledgeably about the crux of the issue, which is whether raised testosterone gives female athletes a competitive advantage or whether bodies assigned male at birth retain any biological advantages post-transition (as it happens, the answer to the latter question appears to be no. More of that in a moment).

Madigan was expected to debate the issue with an anti-trans activist who is not an endocrinologist or a sports scientist either.

As Madigan posted on Twitter, she “explained to them that good reporting means talking to sports scientists & trans people in sports, not trans people & a transphobic person. Facts & experiences, not opinions.”

What is the point in having two people talk about a subject neither of them have any expertise in? How does that help illuminate the issues, or make the listeners better informed?

As it happens, there’s tons of scientific research into trans women in sport. This, from 2017, is a systematic review of the current literature as of then. Among other things, the review found that “the majority of transgender competitive sport policies that were reviewed were not evidence based” and “there is no direct or consistent research suggesting transgender female individuals (or male individuals) have an athletic advantage at any stage of their transition (e.g. cross-sex hormones, gender-confirming surgery) and, therefore, competitive sport policies that place restrictions on transgender people need to be considered and potentially revised.”

Of course, experts are not always available at times that suit programme makers. But I very much doubt any experts were actually sought. It’s a trans issue, so let’s pit a trans person against an anti-trans person and hope sparks fly.

This happens again and again in current affairs: rather than speak to people who know what they’re talking about, programmes choose instead to take a gladiatorial approach with false equivalence – so a climate scientist is pitted against an angry climate change denier, a feminist is pitted against a misogynist, a trans woman is pitted against an anti-trans bigot. Sometimes it’s because the researchers are expected to cover tons of topics of which they only have a superficial knowledge, but often it’s because the purpose isn’t to inform. It’s to entertain, or to outrage.

A row is much more entertaining than an expert giving a measured, informed opinion. Who cares about facts, about settled science, about expert consensus? There’s a loon for every subject, desperate to shout “fake news!” at real facts.

When was the last time you had objectionable content rammed down your throat? Because according to the internet, it’s happening constantly. All over the world, people are getting things rammed right down their throats.

Except, of course, they aren’t.

Here’s an example. Today, one of my friends was reading a Facebook thread about a children’s cartoon, Frozen. The thread was based on a report that in the sequel, one of the female characters – Elsa – may have a girlfriend.

You can guess the response. Over 1,000 comments with tons of: people are trying to force politics into everything! It’s political correctness gone mad! I’ve got nothing against LGBT people, but why do they have to ram this stuff down our throats?

First of all, nobody’s ramming anything down anything. You’re a grown adult moaning about a cartoon that hasn’t been made yet.

Secondly, politics is in everything. As my friend posted on Twitter:

Everything is political.

If you think letting cartoon characters (🤦🏻‍♂️) only have heterosexual relationships is not political, you’re wrong. If you think having only white characters on TV is just, like, normal, and ‘adding’ people of colour is PC-gone-mad, think harder.

Newsflash: gay people exist, have always existed, and always will exist. To exclude gay characters  (or Asian characters, or Black characters, or trans characters, or…) is a political act; whether consciously or otherwise, it’s choosing not to reflect reality.

As another commenter noted, pretty much every female character in Disney movies has a love interest – a straight one, although not necessarily a human one. For example, in Beauty And The Beast  the lead character, Belle, dates a monster – the titular Beast – after he kidnaps her.

This is a cartoon in which one of the key characters is a living, talking snowman, from a company whose previous films included living teapots, talking animals and a duck who goes around in people clothes but who never wears trousers.

If you are outraged by the presence of an inoffensive gay character in a cartoon, you’re a bigot.

If you’re okay with your kids seeing a guy developing superpowers because he was bitten by a radioactive spider but you can’t hack the idea of them seeing a girl with a girlfriend, you’re a bigot.

If you can accept your kids seeing an enormous angry space monkey fly a spaceship but can’t face the thought of them seeing two girls holding hands, you’re a bigot.

If you feel that letting gay kids (or black kids, or trans kids, or…) see the occasional character a bit like themselves among the thousands upon thousands of characters that are white, cisgender and straight, you’re a bigot.

What, exactly, do you think these characters are going to do? Do you think that the cartoon will include an extended fisting scene? Will the denouement be delayed for some lovingly animated ass play? Are they going to change the snowman song to “do you want to see a dildo?”

What is wrong with you?

There’s a core belief here, which is that if children see a gay character on screen it might turn them gay. And there are two responses to that. One is “so what?” The other is to point out that it really doesn’t work like that. I spent 40-something years seeing cisgender people on TV, in cartoons and in films. If trans people were featured, which they generally weren’t, they were murderers making shirts out of women’s skin (Silence of the Lambs) or were portrayed as they were in Ace Ventura: Pet Detective, in which Jim Carrey discovers he’s kissed a trans woman, throws up twice, uses an entire tube of toothpaste to brush his teeth, strips naked, throws his clothes in the trash, burns them and then weeps in the shower.*

Guess what? Still trans.

Every time somebody says they don’t want political correctness shoved down their throat, what they mean is that they believe that the minority in question is sinful, shameful or evil in some other way – that the minority is less than human and deserving of fewer rights than others.

We must protect our children! they holler.

Protect them from what?

Right now, my group’s the one getting most of the “protect the chiiiiiiiiiiiiildren” nonsense. Previously it was lesbians; before that, gay men. Before that, black people. And so on.

And it’s everywhere. On the social network Reddit, one visitor to a trans discussion forum asked a whole bunch of questions (now removed) and made the comment that they personally were cool with trans people and LGBTQ people generally, but why did they have to shove it in people’s faces all the time?

My reply:

We aren’t the ones having gender reveal parties, dressing babies in babygros with “Ladies Man” printed on them, obsessing over what other people do in bathrooms or bed or approaching complete strangers in the street and shouting that they’re abominations. We aren’t demanding that you can be discriminated against in health and in housing, in employment and education, and that you shouldn’t be allowed to serve in the military, teach children or take part in public life. We aren’t regularly writing in the papers and online about how people like you are all pedophiles and potential rapists. But sure, if we go to a parade once a year we’re the ones shoving things in people’s faces. I’m rolling my eyes pretty hard here.

Back to Facebook.

There are, yes, and the overwhelming majority of entertainment is made by them, for them. And yet any time there’s the slightest hint of a non-white or non-straight or trans character in anything, thousands of straight people lose their shit. They lost their shit when Ghostbusters was remade with female leads, one of whom was abused horrifically because she was not just a woman but a black woman. They lost their shit when a Star Wars film featured an Asian woman in a prominent role (and some of them made a version of the film where all the women were removed). And now they’re losing their shit at the thought that one of the characters in Frozen might have a girlfriend instead of just a talking snowman who doesn’t ever melt.

I’ll give the last word to Elsa.

I don’t care what they’re going to say. Let the storm rage on.

* The scene isn’t just offensive for its mockery of trans women. It’s a deliberate parody of the scenes in dramas where women are traumatised after a sexual assault or rape. Think about that for a moment: rape as comedy. You just know that it wasn’t a woman who wrote that scene (it was a man, Jack Bernstein), or who directed it (it was directed by Tom Shadyac, a man), or who signed it off (the producers were Gary Barber, Peter Bogart, Bob Israel and James G Robinson, who are men). This is what happens when your productions aren’t inclusive.

There’s more about transphobia in popular culture here.