This is interesting. Ray Banks – who is good – talks about ebooks with Allan Guthrie – who is also good – and the conversation turns to book piracy. Banks:

Authors should be pleased they’re being pirated. I know I was. Over the last twenty years or so, branding has shifted from publisher to author, so when someone illegally downloads and enjoys your book, they’re going to remember you, not your publisher. Plus, it means there’s a demand for your books not currently being met. As for publishers, especially those spending bucketloads of money to play Canute, why can’t they harness the potential of the torrent to their own ends? After all, these are people who like to read so much, they’re willing to go to that extra length to get free copies. That’s word of mouth right there, and I’d much rather see a thousand copies of my book go for free to people who wanted it than see another ARC show up on eBay. Also, P2P networks still represent a no-maintenance, utterly free and worldwide channel of distribution. Most companies would kill for that kind of reach with that little overhead.

I’d just add two things to that. One, many of the ebook pirates I’ve seen are collectors – not in the sense of collecting something and valuing it, but in the sense of wanting to have something just for the sake of having it. It’s the volume that matters, not the content, so for example you’ll see torrents promising X hundred Kindle books and those books have *absolutely nothing in common with one another*. It’s very unlikely that you’ll like Ray Banks and bodice rippers (it’s possible, but unlikely), so I’m not sure that there’s any benefit to authors from that particular kind of piracy.

The other point I’d add is that many apparently pirated books are no such thing: many pirate sites are frauds, listing books they don’t have in the hope you’ll pay for membership.

For what it’s worth I’m not hugely bothered by the idea of piracy, unless somebody’s making money from it. I’ve specified DRM-no and Lending-yes options for my own stuff.

I’ve bought an awful lot of books over the years, but there’s only one I’m really attached to: Blood’s a Rover by James Ellroy. It’s not my favourite book – it’s not even my favourite Ellroy book – but it stands out from all the others because Ellroy signed it for me.

Last night, I got another keeper: Killer Move, the new thriller by Michael Marshall, aka Michael Marshall Smith.

There’s something about getting an autograph that’s really powerful, I think. It’s not the signature itself – I’ve no interest in the impersonal “signed by the author” piles in bookshops, and I wouldn’t think of buying a signed book on eBay – but the whole ritual of the signing, whether it’s an ego-fest like Ellroy’s or something more inclusive and thoughtful like Marshall’s event last night.

For me at least, getting a book signed is a weird way of saying thanks, of letting an author know that they’ve had an effect or influence on you in some way, that their work isn’t just something that’s picked up and read and then forgotten about. Whether authors see it that way I have no idea, of course. It may just annoy them.

I’m a fairly recent convert to book signings, but I suspect that for all the ebook hype they’ll continue to be an important thing for writers – or at least, those writers whose publishers still put out hardcovers. Ebooks are great, and cheap, and convenient, but a signed hardback is magical.