This is another one for which David wrote pretty much all the music (the quiet strings from the second verse are mine). There’s something really dysfunctional about it, deliberately so: the timing of the main keyboard part has a great tension to it, which really makes the song.
It’s another really close-miked vocal, and again it’s designed to be almost uncomfortably intimate because that’s what the song’s about: me as the elephant in every room, the thing you wish wasn’t there.
I wrote it about the period after I’d come out as trans, but it’s just as relevant to anyone who’s faced challenges or sadnesses: sometimes you’re going through something that other people just can’t cope with, not because they’re bad people but because they don’t want to put their metaphorical foot in it. So the conversations you’re included in avoid the elephant in the room, but you overhear the ones that do through the “doors ajar” I mention in the lyric.