Category: Media

Journalism, radio and stuff like that

  • Our radio rocks

    A true story: when I used to have a day job, I’d listen to BBC Radio Scotland during my morning commute. I’d listen to the people on comedian Fred MacAulay’s programme and think “that must be a laugh to do. Imagine if that was your job.” These days, I’m one of the people going on Fred’s programme, and I’m thinking “this is a laugh to do. I can’t believe this is my job.”

    Radio’s a magical thing. I have fond memories of listening to Irish radio under the covers when I was supposed to be asleep as a child, trying and failing to get into the bands on John Peel’s playlist as an adolescent, drunkenly calling late-night phone-in idiot-fests as a twentysomething, hearing my own band played on an indie rock show in my late twenties and damn near falling out of my car laughing at various programmes – some of them serious – today. It’s a fantastic medium and I feel very privileged to be even slightly involved in it.

    It’s World Radio Day today. As UNESCO director general Irina Bokova says:

    “In a world changing quickly, we must make the most of radio’s ability to connect people and societies, to share knowledge and information and to strengthen understanding. This World Radio Day is a moment to recognise the marvel of radio and to harness its power for the benefit of all.”

    UNESCO explains:

    Since the first broadcast over 100 years ago, radio has proven to be a powerful information source for mobilizing social change and a central point for community life. It is the mass media that reaches the widest audience in the world. In an era of new technologies, it remains the world’s most accessible platform, a powerful communication tool and a low cost medium.

  • Jumpin’ Jack Flash, it’s a £500 copyright licensing fee

    From time to time I get a wee panic about Coffin Dodgers and I have to go and check that I took the U2 lyrics out: there’s a scene that revolves around a U2 song, and in the first few drafts of the book I quoted a couple of lines from it. That’s a no-no, as Blake Morrison explains:

    For one line of “Jumpin’ Jack Flash”: £500. For one line of Oasis’s “Wonderwall”: £535. For one line of “When I’m Sixty-four”: £735. For two lines of “I Shot the Sheriff” (words and music by Bob Marley, though in my head it was the Eric Clapton version): £1,000. Plus several more, of which only George Michael’s “Fastlove” came in under £200. Plus VAT. Total cost: £4,401.75. A typical advance for a literary novel by a first-time author would barely meet the cost.

    The linked article is two years old. I very much doubt the fees have gone down since then.

    [Via Lexi Revellian]

  • “Really, Jim, respectfully, you’re worrying about very stupid shit”

    In the US, magazines employ (employed?) fact-checkers to go through every line of a piece before publication. This is a dialogue between one such fact-checker and a writer. It made me laugh a lot.

    FINGAL: Do you have any documentation of that, like notes from your trip?

    D’AGATA: You’re asking for evidence of a rumor?

    FINGAL:
     If you’re saying that there was a rumor, I have to find out whether there was in fact a rumor, even if I ignore the truth value of the rumor.
  • In which I suggest blacking out Wikipedia doesn’t really change much

    Today’s the big protest against SOPA, the latest bit of dangerous anti-internet legislation. I’ve written a wee column suggesting that it won’t change much in the long term, because lobbyists are fighting a long war:

    Copyright industries want the net regulated, and they’re willing to spend huge sums to make it happen: SOPA is a battle, but the lobbyists are waging a war.

    You don’t fight that by turning sites black. You fight it by supporting the EFF, and the ACLU, and the ORG, and by lobbying your elected representatives, and you fight it it in the ballot box. In the last general election just 55% of 25-34 year olds voted, while turnout for the 18-24 age group was a pathetic 44%.

    We need to do better, because the best way to fight bad laws is to stop clowns from getting into power in the first place.

    According to somebody on Twitter, that’s akin to telling women of the 1960s to shut up and know their place. I’m a bit baffled by that.

  • The Guardian: the amazing disappearing newspaper

    I’ve been meaning to mention this for a while: The Guardian, the newspaper I’ve bought every day for more than twenty years, appears to be disappearing before my very eyes. I know why sections are being folded into the main paper, why pagination’s being cut and why some of the best columns are being killed – the paper’s losing tens of millions of quid every year and it’s desperately trying to cut costs – but as I read yet another “this is my final column” sign-off or see another section compressed I can’t help thinking that, if you want to reverse a decline in circulation, getting rid of all your content while charging more for the product probably isn’t the best strategy to adopt.

    I’m still paying for my paper, but I’m increasingly wondering why.

  • Wise advice for freelance anythings

    The most excellent John Walker has written a wee bit of advice for aspiring games journalists, and I reckon much of it is relevant to all kinds of freelancing.

     This job is a not a privilege. It’s something you got by being good at what you do – you earned it. Anyone who tells you it’s a privilege is trying to get something from you they shouldn’t have. That’s the language of those who want you to do just a little bit more work than they’re paying you for, or put up with conditions that don’t feel appropriate.

    …Make a fuss. Good grief, the number of times I’ve not been paid for work, or screwed over in some way, is awful. It’s generally down to incompetence rather than malice, but it’s unacceptable.

  • In which I compare Internet Explorer to Sugababes

    Oh yes.

    On the face of it, Internet Explorer doesn’t have much in common with Sugababes: IE isn’t beautiful, doesn’t sing and isn’t likely to dress in a primary-coloured PVC dominatrix outfit to perform at G-A-Y.

    However, they’re not as different as you might think.

  • Not Nokia-ing on Heaven’s door

    Nokia’s keynote this morning wasn’t quite what I was hoping for. 

    “Our ambition is to surprise you at every turn,” said Kevin Shields, a man whose job title – senior vice president of program and product management for the smart device – is longer than many people’s lives.

    And then he started shouting.

    “It looks AWESOME!” he bellowed, channelling his inner Ballmer and scaring the hell out of the first six rows. “It feels GREAT in your hand!” he added, frightening everybody again. “It SCREAMS premium!” he screamed.

  • The iPhone 4S: “the best thing Apple has ever made”

    My friends at Techradar like the iPhone 4S, it seems, and they’ve put together a typically exhaustive review.

    Executive summary: if you have an iPhone 4, there’s no real need to upgrade once you’ve installed iOS. If you’ve got an older iPhone, however, the 4GS is a huge upgrade.

    I’d like to get my hands on one to play with the Siri voice recognition and see how it copes with my accent, but my car needs an MOT and service. Damn you, reality!

     

  • Bye, Steve

    Steve Jobs’ obituary on Techradar. I was getting a bit teary as I was writing the end of it. We’ve lost a giant.